Autodesk Inferno

Desktop Editing
Gestural, picture-based editing interface for easy viewing and intuitive clip manipulation. Cut, splice, trim, and play clips with fast, simple strokes.
Prepare, preview, and compare clips in any resolution and format.
Transition effects and timewarp tools with animatable speed curves, as well as adjustable interframe mixing and trailing.
Back to top

Advanced Media Player
Player maximizes image display and minimizes interface clutter for ideal viewing conditions when playing clips.
Provides letterbox masking and safe title overlays for precise viewing of intended result.
Real-time playback of 8- and 10-bit 4:4:4 PAL, NTSC, HDTV, and 2K (2,048 x 1,556) resolutions at all standard frame rates.
Simultaneous display of SD and HDTV video to a broadcast monitor (platform specific).
Send a selected clip to the SDI output of the NVIDIA® graphics card to offer clients a full-image resolution output to the broadcast monitor.
Real-time 3:2 insertion and removal, as well as the ability to mark in/out points and set cue marks for improved interactivity, faster editing, and A-frame timecode setting.
HDR viewer provides a more accurate and flexible view of logarithmic, linear, and video images in modules supporting multiple viewers.

Monitor Calibration and Film Tools
Autodesk® Lustre® color management functionality includes library of display and conversion lookup tables (LUTs) and monitor calibration software.
3D color LUTs work with your calibrated display to accurately display a clip as it will appear on its final medium. Maintains consistency and precision between different products, including Autodesk Lustre color grading software.
Choose to temporarily view a clip with a 3D LUT or apply the 3D LUT process, enabling real-time clip playback.
Provides tools to match images displayed digitally on a computer monitor to the look of projected film.
Supports X-Rite and Barco CaliTalk calibration devices for accurate color measurement.
Import standard color LUTs or create your own using the intuitive tools provided.
Grain management tools accurately match the grain of different film stocks and enable homogenous grain across disparate elements used in the composite (CGI and scans from different film types, for example).

Audio Tools
Unlimited audio tracks with 32 tracks of real-time playback.
Audio Gain Rubberbanding allows the artist to quickly and easily set audio levels in the timeline.
Support for AudioDesk® audio workstation in player and Batch timeline, including audio tools for mixing and mastering audio.
Import, record, and playback stereo audio.
Full audio editing functions, including cut, slip, timestretch with pitch correction control.
Audio mixing capabilities with control of audio levels, pans, and EQ.
Vari-speed audio scrubbing allows for precise work.
Display audio waveform for syncing effects to sound.
VST Audio plug-in support (reverb, modulation, dynamic compression, full parametric EQ).
Dolby® E audio coding support.
Soft effects can be applied to audio segments in the timeline.
Import and export Broadcast Wave and MP3 files.

Input/Output (I/O)
Import RED ONE R3D^TM format files directly into storage using high quality debayering settings as isolated files or as a group using an EDL or Apple® Final Cut Pro® XML files.
Send encoding tasks directly to Autodesk® Cleaner® XL software for expanded Export Media format support. VTR control capabilities via RS-422 support for real-time frame-accurate control of video devices.
New Real-Time Deliverables mastering-to-VTR tool dramatically enhances efficiency by providing real-time down conversions without having to render.
Serial digital interface for both ITU-R 601 standard (PAL/NTSC) and SMPTE 292M high-definition video.
Digital audio connections-1 ADAT input, 1 ADAT output.
HSDL I/O via SMTPE-292 HD-SDI signal for rapid 14-19 fps transfer of progressive 2K files (platform specific).
Analog and AES/EBU I/O audio connectivity for up to two tracks (converter included if needed).
Analog video requires a separate conversion device.
Support for VariCam footage with automatic frame rate conversion.
File-based I/O for most popular graphics formats, including TIFF, PICT, TARGA®, JPEG, Cineon, DPX, SGI®, Autodesk® Softimage®, Autodesk® 3ds Max®, and Maya software formats.
Import Adobe Photoshop PSD files with options to maintain layer structure or flatten image.
Import/export QuickTime files: QuickTime animation with alpha and QuickTime motion-JPEG. QuickTime metadata of the time code and reel name information when importing or soft-importing.
Direct ingest of Panasonic® P2 MXF files.
AVC-Intra media at bit rates of 50 and 100 Mbps.
Soft import workflow and background proxy generation of soft-imported streaming media files.
When working with high-resolution images such as film scans, existing proxies can now be imported.
Codec support for DV, DV25, DV50, and DVCPRO HD compressed codecs.
Support for XDCAM and XDCAM HD codecs.
Import/export Avid DNxHD codec in an Apple QuickTime wrapper.
Quickly and easily browse and recursively scan clips in P2 and XDCAM media directories.
Create, save, and load codec encoding profiles to quickly set up and launch encoding jobs.
Import 16- and 32-bit floating-point OpenEXR image files. Framestore storage, export, and editing support for 16-bit floating-point clips.